everybody Loves Raymond One of television’s classic comedies but rankings like that don’t come easily. According to show star Doris Roberts, the production of weekly episodes saw frequent script changes and rehearsals specifically for series co-creator HBO and David Letterman’s company, Worldwide Pants.
Doris Roberts died in 2016
Roberts died of natural causes in 2016 at the age of 90. in conversation with Television Academy Foundation (TAF), he was asked about the proudest achievement of his career.
“My proudest achievement? I put my head on the pillow at night and know I have been a good person,” she reflected. “I want to be remembered as a wonderful human being who was helpful and to people. loved and did the best he could. Doesn’t give up, doesn’t take no for answers.”
‘Raymond’ involved frequent script rewrites
As is the case with any great production, whether it’s on television or not, there’s a lot of work involved in getting the script, dialogue, and tempo of each show right, as Roberts told TAF in 2005. The actor explained that script approval had to be obtained not only from the show’s network, CBS, but also from its other producers: HBO and the company related to the person who set it. raymond In motion, David Letterman’s Worldwide Pants. At the time of Roberts’ interview, raymond was in its final season on CBS.
“We will come on Monday at around 10 pm and read around the table,” the veteran actor began. “It will be time to look at how much we are with, or less than, what it never was, and to see what worked and what didn’t work. The folks at HBO, the folks at CBS, and Letterman’s Company Worldwide There will be a meeting with the people of Pants. [show creator and executive producer] Phil [Rosenthal] And the author and then in about half an hour, we’ll get it on our feet, we’ll start rehearsing it. “
Roberts explains the weekly process of making every episode of ‘Raymond’
the former remington steel Star further said that by late afternoon, the cast would perform “run-throughs for the writers” and with Rosenthal’s script in hand. Once the cast went home, he said, the writers would begin refining the script in the process, which would require the actors to constantly memorize new scripts and forget what they had memorized the day before.
“That night, we used to go home, and then around 11 p.m., a new script arrives at your door,” she said. “Things you said are no longer there, things are added, moved, whatever, but it’s new. So you miss out and you have to dump pretty quickly because you’re going to have to rewrite a new script. You come in the next day and you practice all day and then at 4 a.m. you do it for HBO, CBS, Worldwide Pants, and all the writers and Phil.
Roberts recalled that even at that point, the script still wouldn’t be final.
“Then you go home and at 11 o’clock that night, you have another script on your doorstep,” she said with a laugh. “With the new stuff in it. On Wednesdays we come in, and that’s when they block it with cameras and new stuff. And we do that all day, and after each scene, we tape it So that Phil can look at it and figure out what to cut or what to replace. Then Thursday, we come in early in the morning and we rehearse it all morning. By 12, we do a run-through for the producers and all the writers Then we have a break for lunch, we do hair and makeup and then we do the show at 4:30 or 5 in the evening.
Considering the Emmy Awards the series earned, its stellar ratings, and its place in television history, all the work put into each 22-minute episode was clearly worth the effort.
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