People like Ravi Shankar taught George Harrison a lot. The legendary sitar player opened George’s eyes to a whole new world of music, and it captivated him. After their first important meeting, George made it his mission to support “minority music”. He used his influence on young people to spread the word about different types of music and the world welcomed it with open arms.
George Harrison met Ravi Shankar in 1966
In 1966, George met Shankar. At that point, he needed to reconnect with his spirituality, as his fame was on the rise, so he traveled to India. At a friend’s house, George crosses paths with Shankar, almost as if it was fate.
talking to Rolling stone Of his and George’s longtime friendship in 1997, Shankar said, “I had heard of the Beatles, but I had no idea how popular they were. I met all four, but with George, I immediately clicked he said he wanted to learn [sitar] properly. I said it’s not just learning chords like guitar. sitar takes at least a year [learn to] Sit properly because the instrument is so hard to hold. Then you cut your fingers to such an extent [shows tips of two fingers – purple, with calluses]. He said he would try. He seemed so sweet and honest that I was convinced. “
George proved to Shankar that he wanted to learn. “[Harrison] Gives me tremendous respect,” Shankar continued. “He’s very Indian in that way. We’re such good friends, and at the same time, he’s like my son, so it’s a beautiful, mixed feeling.”
in Martin Scorsese living in the physical worldGeorge says that Shankar taught him to find his roots. Learning about Indian music was a great experience, but Geoge knew he would never be as good a sitar player as Ravi.
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George Harrison showed Indian music to the world
George was not going to become a sitar player, but he at least wanted to spread the word about it. As a “Kothri Krishna”, he wanted to make an album for Radha Krishna Mandir.
On the back of the album, it read, “Your Transcendental Invitation: This album, with illustrations and full text, produced by George Harrison, is the first recording of pure devotional songs in the ancient spiritual language Sanskrit. The vibrations of these mantras send the receptive listener and chanter to Krishna consciousness. reveal the realm, which is joyfully experienced as one’s own peace and awareness of the Lord or Krishna. These eternal sounds of love free the listener from all contemporary constraints of time and space.”
No one thought the album would be popular, but “Hare Krishna Mantra” made it to London radio stations and reached number 12 on the UK charts in 1969. It was played at an Isle of Wight concert and during a football game. in Manchester, England.
In addition to the successful Mantra album, George worked with Shankar on several projects, including mantras of india. George also performed a concert for Bangladesh, one of the first and most popular celebrity benefit concerts, which was extremely popular. George and his friends played rock tunes while Shankar and other Indian musicians played their music. The live album won a Grammy.
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George was one of the first Western artists to recognize the importance of world-music
In living in the physical world, the home video footage shows George asking the guests of the house, “Why is minority music important? All the music that hasn’t really sold in the top hundred at your local record store. These are all wonderful things. ”
In new York Times, Philip Glass wrote, “George was among the first Western composers to recognize the importance of millennia-old musical traditions that had their roots in indigenous music, both popular and classical. Using his considerable influence and popularity, he He was one of the few who opened the door that had until then separated much of the world’s music from the West.
“He played a major role in bringing several generations of young musicians from the dry and dying desert of Eurocentric music to a new world. I have no doubt that this part of his legacy will be his most everlasting. And not only that.” He opened doors to this new world of music with his deep faith, great energy and his remarkable clarity and simplicity.”
His music and his skill to open the doors to world music define George’s legacy. In exchange for many happy years of friendship, Shankar was there for George’s departure, when he died in 2001.