Tim Burton’s Nightmare before Christmas A Halloween (and a Christmas?) classic. But what really makes the film so great is its music. Nightmare before Christmas There was something completely out of Burton’s comfort zone. He had never done music. However, Burton’s loyal collaborator Danny Elfman brushed off all his worries and composed one of the most famous musical scores of all time.
“This Is Halloween” and “What’s This?” With songs like the one that became hugely popular, you’d think that Elfman used some complicated formulas to develop the film’s lyrics. It turns out that he didn’t. The process was actually quite simple. Turning creepy Halloween-themed songs into a Disney-like anthem better than Jack Skellington’s plans to turn Halloween town into Christmas town.
Tim Burton had never done music before
Elfman says Burton was a little distracted when he started Nightmare before Christmas. he was still working Batman Returns When he started work on the film. Then there was the issue of not knowing how to make music.
“I remember Tim sent me an outline, but then I didn’t hear anything about it for a while,” said Elfman. Board For the film’s 25th anniversary in 2018. “Eventually we got together and they said they needed to start doing something, but there was no script and neither of us knew how to start the music.”
The only thing Burton knew about the project was that he wanted to make a film that was the “upside down” of the movies. How the Grinch Stole Christmas. whereas Batman Returns Continuing, Burton allowed Henry Selick to direct the film. But Selick had nothing in common other than Burton’s initial outlines and various scribblings.
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It was easy for Danny Elfman to write the music for ‘The Nightmare Before Christmas’
Elfman lives by a very simple motto; Do the best you can. “I never know, ever, what[my movies]are going to be, so I’m doing the best I can,” Elfman told Billboard.
When Elfman and Selick Didn’t Have Much to Do in the Early Stages Nightmare before Christmas, he worked on the music, and it turned out to be easier than Elfman expected. “I remember Henry ready to start shooting in Oakland, but we had a framework for the story,” Elfman explained. “So we have just started working on the songs (as a starting point). It turned out to be the simplest writing I’ve ever done.”
“He had all these great drawings and drawings, as well as lines and poems; Pieces of stuff,” Elfman continued. “I remember pushing him out the door several times as I started hearing the songs in my head. I’ll start right there, and three days later I’ll have a demo that I’ll come back and play for him. Then we will start the next part of the story.”
Elfman’s goal was to “achieve a musical timelessness”, and he accomplished it. “I wanted it to look like it was written 50 or 100 years ago, so I turned my influence to that stuff. Kurt Weil’s The Threepenny Opera, a major thing in my life, was one source, as well as the music of Cole Porter and Gershwin, and to a lesser extent, Rodgers and Hammerstein,” Elfman explained his process. It may sound technical, but Elfman had it under control.
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Tim Burton and Danny Elfman got along so well because they were ‘monster kids’
since 1985 Pee-wee’s Big Adventure, Burton and Elfman have forged a successful music/film partnership that rivals George Lucas and Steven Spielberg with John Williams.
In addition to this Nightmare before Christmas, they have worked together on most of Burton’s films, including batman, Batman Returns, Edward Scissorhands, big fish, corpse Bride, And Charlie and the Chocolate Factory. Elfman says he doesn’t know why they work so well together, but he speculates that it has something to do with the fact that they’re both “monster kids.”
“He’s a weird guy, but he doesn’t seem weird next to me,” Elfman explained to Billboard. “Tim and I grew up in similar ways, which probably had something to do with it. We were both ‘monster kids,’ a weird subculture of ’60s kids who grew up in these great low-budget horror movies When I first met him, his idol was Vincent Price and mine was Peter Lorre.
It’s interesting because, as Billboard points out, Burton and Elfman have helped usher in a new generation of “monster kids” by making films all made together and taught them that they are not alone.